Workshop on AI for (Music and Games) Co-Creation (WAIC 2021)
Workshop on AI for (Music and Games) Co-Creation (WAIC 2021)
Dates and Local
22, 23 and 24 November 2021.
Auditório Tércio Pacitti,
CCET (Centro de Ciências Exatas e Tecnologia),
UNIRIO (Universidade Federal do Estado do Rio de Janeiro), Avenida Pasteur, 458 - Urca, Rio de Janeiro, Brazil.
Map1
Map2
Results and Prospects
The workshop was intense and fruitful, with lots of questions discussed and experiences shared, and thus with lots of ideas and paths to further explore cooperatively!
There were also some nice jam sessions!
Some Photos and Videos!
All presentations are made available (within Programme Section below).
You can replay all sessions through the dedicated Youtube channels.
Objective
Share experiences and discuss issues about creation and co-creation of music in various contexts
with artificial intelligence (AI) / machine learning (ML) techniques (among others)
and notably about how to insert such techniques into
human(s) artistic creative process(es).
Note that the workshop focused on discussion/topics sessions and not (only) on a sequence of formal presentations.
Participants
- Gustavo Amaral,
Department of Informatics,
Pontifícia Universidade Católica do Rio de Janeiro,
Rio de Janeiro, RJ, Brazil
- Carlos Arana,
Faculty of Engineering,
Universidad de Buenos Aires,
Buenos Aires, Argentina
& Berklee College of Music,
Boston, MA, United States of America
- Augusto Baffa,
Department of Informatics,
Pontifícia Universidade Católica do Rio de Janeiro,
Rio de Janeiro, RJ, Brazil
- Jean-Pierre Briot,
LIP6 (Research Laboratory in Informatics),
CNRS - Sorbonne Université,
Paris, France
- Giordano Cabral,
Center of Informatics,
Universidade Federal do Pernambuco,
& CESAR,
Recife, PE, Brazil
- Filipe Calegario,
Center of Informatics,
Universidade Federal do Pernambuco,
Recife, PE, Brazil
- Bruno Feijó,
Department of Informatics,
Pontifícia Universidade Católica do Rio de Janeiro,
Rio de Janeiro, RJ, Brazil
- Paulo Fontana,
Department of Applied Informatics,
Universidade Federal do Estado do Rio de Janeiro,
Rio de Janeiro, RJ, Brazil
- Nathan Fradet,
LIP6 (Research Laboratory in Informatics),
CNRS - Sorbonne Université,
Paris, France
& Aubay,
Boulogne-Billancourt, France
- Cliff Korman,
School of Music - Villa-Lobos Institute,
Universidade Federal do Estado do Rio de Janeiro,
Rio de Janeiro, RJ, Brazil
- Antonio L. Furtado,
Department of Informatics,
Pontifícia Universidade Católica do Rio de Janeiro,
Rio de Janeiro, RJ, Brazil
- Rosana Lanzelotte,
Instituto Musica Brasilis,
Rio de Janeiro, RJ, Brazil
- Sidney Lucena,
Department of Applied Informatics,
Universidade Federal do Estado do Rio de Janeiro,
Rio de Janeiro, RJ, Brazil
- Henrique Machado,
Compositor,
Rio de Janeiro, RJ, Brazil
- Carlos Eduardo Mello,
Department of Applied Informatics,
Universidade Federal do Estado do Rio de Janeiro,
Rio de Janeiro, RJ, Brazil
- Pedro Moura,
Department of Applied Informatics,
Universidade Federal do Estado do Rio de Janeiro,
Rio de Janeiro, RJ, Brazil
- Mila Oliveira,
Faculty of Computer Science,
Universidade Federal do Rio de Janeiro,
Rio de Janeiro, RJ, Brazil
- François-David Pachet,
Creator Technology Research Lab,
Spotify,
Paris, France
- José Henrique Padovani,
Music School,
Universidade Federal de Minas Gerais,
Belo Horizonte, MG, Brazil
- Philippe Pasquier,
School of Interactive Arts & Technology,
Simon Fraser University,
Vancouver, BC, Canada
- Bertrand Petit-Hédelin,
Startup Studio
& Project INDES (Secure Diffuse Programming),
INRIA,
Sophia Antipolis, France
- Liduino Pitombeira,
School of Music,
Universidade Federal do Rio de Janeiro, Rio de Janeiro, RJ, Brazil
- Marcelo Queiroz,
Computer Science Department,
Universidade de São Paulo, São Paulo, SP, Brazil
- Geber Ramalho,
Center of Informatics,
Universidade Federal do Pernambuco,
& CESAR,
Recife, PE, Brazil
- Matheus Souza de Freitas,
School of Music - Villa-Lobos Institute,
Universidade Federal do Estado do Rio de Janeiro,
Rio de Janeiro, RJ, Brazil
- Estevan Barbará Teixeira,
Department of Applied Informatics,
Universidade Federal do Estado do Rio de Janeiro,
Rio de Janeiro, RJ, Brazil
Program
- Monday, 22 November Morning 09:00-12:00
- Introduction - Presentation of Workshop Objectives
- Session Contexts and Prospects
- Geber Ramalho, Some Challenges in (Creation and) Co-Creation of Music with Computers | Presentation (PDF)
- Monday, 22 November Afternoon 14:00-17:00
- Monday, 22 November Afternoon 17:00-19h30
- Workshop Opening
- Jean-Pierre Briot, Workshop Organizer
- Cliff Korman, School of Music - Villa-Lobos Institute, UNIRIO
- Sidney Lucena, Dean, CCET, UNIRIO
- Markus Endler, Director, Department of Informatics, PUC-Rio
- Olga Anokhina, Director, CNRS Rio
- Cocktail (Offered by CNRS Rio)
- Tuesday, 23 November Morning 09:00-12:00
- Session Challenges and Experiences I
- Tuesday, 23 November Afternoon 14:00-17:00
- Session Challenges and Experiences II
- Wednesday, 24 November Morning 09:00-12:00
- Session Challenges and Experiences III
- Wednesday, 24 November Afternoon 14:00-17:00
- Session Challenges and Experiences IV
- Carlos Eduardo Mello,
Music Generation, AI and Social Good: Potentialities and Challenges | Presentation (PDF)
- Matheus Souza de Freitas,
A Compositor Experience in Using Interactive Systems (Max) | A Ready-Made-Sonata for Violin and Electronics Score (PDF) | Performance (Web)
- Session Research Agenda (Identification, Taxonomy and Exploration)
- Giordano Cabral, Composition Tasks
- Geber Ramalho, Design Space
- Jean-Pierre Briot, Emotion Mappings
- Closing
Sponsors
We greatly acknowledge
Main Organizer/Contact: Jean-Pierre [dot] Briot [AT] lip6 [dot] fr
JPB, 22/12/2021